RSV ~ Revelation 4 Notes
Rev 4:1-5 | ISB Notes
The third phase of the book (1:19) begins as the Spirit lifts John into heaven at the invitation of Christ. He is bombarded with a spectacular display of angels and saints worshiping the Lord and the Lamb. The two chapters divide according to this dual focus of worship: Rev 4 praises the Father as the Maker of all (liturgy of creation), and Rev 5 praises the Son as the Savior of all (liturgy of redemption).
⢠The liturgical setting in heaven alludes to the cultic figures and fixtures of the Jerusalem Temple. Familiar sights and sounds include the throne (ark, 2 Sam 6:2), the seven torches (menorah, Ex 25:3139), the winged creatures (cherubim, Ezek 1:10), the 24 elders (24 priestly divisions, 1 Chron 24:1-19), the glassy sea (molten sea, 1 Kings 7:23-26), the musical praise (psalms, 1 Chron 25:1-8), the golden bowls (dishes for incense, 1 Kings 7:50), and the sacrificial Lamb (Passover, Ex 12:21). This and similar scenes throughout the book (Rev 7:9-15; 8:1-5; 11:19; 15:28) express the ancient belief that the Temple of Jerusalem was a visible replica of the invisible sanctuary of God in heaven (Ex 26:30; Ps 11:4; Wis 9:8) (CCC 1137-39, 2642).
Rev 4:2 | ISB Notes
one seated: The glory of Yahweh is refracted through precious gems (4:3; 1 Tim 6:16). His throne is the focus of nearly all the activity of the book. From it come judgments (Rev 16:17; 20:11-12) and declarations of truth (21:3, 5), and around it stands an entourage of men and angels engaged in never-ending worship (4:9-10; 5:11-12; 7:9-15; 14:3; 22:3).
Rev 4:3 | ISB Notes
a rainbow: A spectrum of color encircles the divine throne.
⢠The rainbow, which also appears in Ezekielâs vision of the enthroned Lord (Ezek 1:28), is a sign of the Noahic covenant that God established with creation after the flood (Gen 9:8-13).
Rev 4:4 | ISB Notes
twenty-four elders: Represent the saints, who are dressed like priests (in white) and kings (with crowns). See note on Rev 1:6.
⢠Their number symbolizes the 24 priestly rotations that David established to minister in the Temple (1 Chron 24:1-31). In Jewish tradition, the heads of the 24 divisions were called âeldersâ.
Some see the elders representing the fullness of the royal priestly people of God: the 12 tribes of the sons of Israel (saints of the OT) plus the 12 apostles of Christ (saints of the NT), as in the vision of 21:12-14.
Rev 4:5-6 | ISB Notes
Streaks of lightning and booming thunder (4:5) feature in revelations of Yahwehâs glory to Israel (Ex 19:16) and Ezekiel (Ezek 1:4, 13). The glassy sea recalls the clear sapphire pavement (Ex 24:10) and crystal flooring (Ezek 1:22) spread beneath the Lord on both occasions.
Rev 4:5 | ISB Notes
seven torches: Represent the Holy Spirit (1:4).
⢠The number seven recalls Zech 4:1-6, where the Spirit keeps the seven flames of the lampstand burning, and also Is 11:2, where the Greek OT enumerates seven gifts of the Spirit given to the Messiah (CCC 1831).
Rev 4:6 | ISB Notes
four living creatures: Angels that appear as animals. They symbolize the glory of God expressed in creation, e.g., divine authority (lion), strength (ox), intelligence (man), and swiftness (eagle).
⢠Their animal appearance (4:7) resembles the cherubim seen by Ezekiel (Ezek 1:10; 10:1), and their six wings (4:8) recall the seraphim seen by Isaiah (Is 6:2).
⢠Traditional exegesis connects the four living creatures with the four evangelists. Matthew is the man whose Gospel begins with the human genealogy of Jesus; Mark is the roaring lion whose Gospel begins with the voice crying out in the wilderness; Luke is the sacrificial ox whose Gospel begins in the Temple; and John is the soaring eagle whose Gospel begins with the highest mystery of Jesusâ divinity (e.g., St. Jerome, Against Jovinianus 1, 26).
⢠The living creatures also refer to the whole Church. Her courage is seen in the lion, her sacrificial service in the ox, her humility in the man, and her sublimity in the flying eagle (St. Bede, Explanation of the Apocalypse 4, 6).
Rev 4:8 | ISB Notes
Holy, holy, holy: The Sanctus as chanted in the heavenly liturgy.
⢠The hymn resembles the song of the Seraphim in Is 6:3, where the threefold repetition of âholyâ is a Hebrew way of saying that Yahweh is the holiest of all (superlative degree).